...as well as new ways to confront issues of ownership or access to culture. Change is inter alia driven by civil society pressure, return claims, professional networks, the work of curators or individual institutions, greater transparency, the establishment of new art institutions in the Global South – often more modern than their Western counterparts, or new forms of collaboration between museums and communities in provenance re
search, governance or display of objects. But at closer look, there are also darker sides and more uncomfortable truths. In many contexts, restitution and return...
16.04.24
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Carsten Stahn
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